李靜芳出輯 旦角戲唱得悲愴 – 中時電子報
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李靜芳出輯 旦角戲唱得悲愴
2015年07月06日 04:10
中國時報 汪宜儒/台北報導
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李靜芳以9年前《帝女.萬歲.劫》為本,再度詮釋亡國公主的悲涼與勇氣。(李靜芳歌仔戲團提供)
致力於翻轉歌仔戲「重生角、輕旦角」現實的李靜芳歌仔戲團團長李靜芳,長年透過教學、演出、出版專輯等方式替小旦爭氣,讓旦角之美被看見。今年,她出版新專輯《帝女花.長平恨》,以9年前施如芳編劇、首演於新舞臺的《帝女.萬歲.劫》為本,透過歌仔戲迷人的聲情再度詮釋亡國公主的悲涼與勇氣。李靜芳出身自台中草屯歌仔戲世家,6歲開始學戲,專攻旦角,嗓音潤美,唱起哭調更是摧人心肺。雖然李靜芳外表看似傳統柔美,但談及歌仔戲演出長年以小生戲為主的現狀,她可一點都不客氣,「歌仔戲從不缺旦本戲,只是少被搬演。」過去,她就曾獨立出版《珠圓玉潤阿旦歌》,收錄了歌仔戲旦角的經典唱段示範,更獲金曲獎最佳戲曲曲藝專輯肯定。
李靜芳出輯 旦角戲唱得悲愴 - 中時電子報
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李靜芳出輯 旦角戲唱得悲愴
2015年07月06日 04:10
中國時報 汪宜儒/台北報導
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李靜芳以9年前《帝女.萬歲.劫》為本,再度詮釋亡國公主的悲涼與勇氣。(李靜芳歌仔戲團提供)
致力於翻轉歌仔戲「重生角、輕旦角」現實的李靜芳歌仔戲團團長李靜芳,長年透過教學、演出、出版專輯等方式替小旦爭氣,讓旦角之美被看見。今年,她出版新專輯《帝女花.長平恨》,以9年前施如芳編劇、首演於新舞臺的《帝女.萬歲.劫》為本,透過歌仔戲迷人的聲情再度詮釋亡國公主的悲涼與勇氣。李靜芳出身自台中草屯歌仔戲世家,6歲開始學戲,專攻旦角,嗓音潤美,唱起哭調更是摧人心肺。雖然李靜芳外表看似傳統柔美,但談及歌仔戲演出長年以小生戲為主的現狀,她可一點都不客氣,「歌仔戲從不缺旦本戲,只是少被搬演。」過去,她就曾獨立出版《珠圓玉潤阿旦歌》,收錄了歌仔戲旦角的經典唱段示範,更獲金曲獎最佳戲曲曲藝專輯肯定。
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這次選擇出版《帝女花.長平恨》,李靜芳說,是因為施如芳的《帝女.萬歲.劫》突破了傳統生旦戲的設定,以旦角戲為主軸,充滿大段大段的唱,文學性也強,其中還有很多旦角與老生的對戲唱段,使用了豐富又傳統的七字、都馬,與艋舺哭、彰化哭等哭調,「這作品很能保存、傳承旦角藝術的美,也是我多年來唱戲最難忘的一部。」《帝女花.長平恨》以明末、清初的長平公主為主角,描述她待嫁卻猛然遭逢亡國危機的震撼心路。面對父親崇禎的殘忍逼殺,面對無緣夫婿的思念情愛,還有改朝換代後相見不得相認的苦痛掙扎,演來、唱來激昂悲愴又飽滿情感。施如芳說,身為編劇,最痛苦的夢魘就在於「首演即絕唱」,「李靜芳透過出版專輯的方式讓這部作品重生,讓人覺得安慰,也讓我相信,未來只管把戲寫好,總有像李靜芳這樣的痴人繼續擔當。」(中國時報),